domingo, 3 de marzo de 2013

The Judas Kiss, Hampstead Theatre, review - Telegraph.co.uk

This isn't through mere obstinacy, vanity, infatuation or a messianic sense of himself as fated to wear the thorny crown of suffering – though these motivations are aired as explanations for his self-made downfall.

In the end, Hare, ably suggests, Wilde stayed true to his faith in beauty, "above everything, and in all things", and with it the rejection of "what is called morality" – even if that meant ruin, separation from his children, and the loss of his talent. Without his cleaving to an integrity his own age could not recognise, our own would the poorer.

You can see that, grandiosely, in Christ-like terms of sacrifice, but strip away the mythology that has grown up around Wilde, and you behold instead just a remarkable man making ordinary, necessary choices.

Tickets: 020 7722 9301

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